•  

     

     

    Pour naviguer entre toutes ces gammes, utilisez préférentiellement le calendrier. Ou choisissez une page en bas.

    Et n'écoutez pas tout à la suite (ça deviendrait confus) :)

     

    Gammes à 5,6 7 & 8 sons Illustrations sonores

    Notation Indienne: 

    • Sa (Shadhaj) = Do
    • Re (Rishabh) = Re
    • Ga (Gandhar) = Mi
    • Ma (Madhyam) = Fa
    • Pa (Pancham) = Sol
    • Dha (Dhaivat) = La
    • Ni (Nishad) = Si
    • Sa (Shadhaj) = Do

     

    A ce stade, un lien important, un site de transposition online

    qui vous permettra de découvrir ces gammes dans d'autres tonalités que le Do utilisé ici:

     

    Transposition

     

    Le matériel gratuit pour créer vos propres patterns:

     

    materiel-gratuit

     

    Comment créer vous-même vos gammes pentatoniques (A 5 tons):

     

    Creation-de-pentas

    Télécharger « Tableau Pentas.pdf »

     

    Gammes à 6 tons:

     

    hexatoniques

     

    Création Gammes Hexatoniques

     

    Gammes à 7 et 8 tons :

     

    7 Tons

     

    8 Tons

     

    Des sons uniquement pour le plaisir. Certains proposent de grands repas, moi ici je ne propose que des bonbons: 

    Espace-detente

     

      

    Source des gammes:

    http://www.muzuu.org/new_life/pics/simpleblog/scales/sortedscales2.html

    Une autre source:

    http://www.harmonics.com/scales/index.html

     

    Précision: C= Do; D=RE; E= Mi; F=FA; G=SOL; A =LA; B=Si

     

    Liste des GAMMES: 

    Number of Tones: 5


        Major Pentatonic (C D E G A)
        Ritusen Japan, Scottish Pentatonic (C D F G A)
        Egyptian , Suspended Pentatonic (C D F G Bb)
        Blues Pentatonic Minor, Hard Japan descending (C Eb F G Bb)
        Blues Pentatonic Minor, Hard Japan descending (C Eb F Ab Bb)
        Raga Matha Kokila (C D G A Bb)
        Minor Pentachord Chad Gadyo (C D Eb F G)
        Raga Mamata (India) Major 6th (C E G A B)
        Raga Kokil Pancham (C Eb F G Ab)
        Raga Hamsadhvani (C D E G B)
        Raga Mand (C E F G A)
        Oriental Raga Guhamanohari (C D F A Bb)
        Raga Shailaja (India (C Eb G Ab Bb)
        Raga Chitthakarshini (C Db Eb F Ab)
        Major Pentachord (C D E F G)
        Raga Hindol (C E F# A B)
        Dorian Pentatonic, Kumoi Japan (C D Eb G A)
        Han – kumoi (C D F G Ab)
        Kokin-Joshi, Soft Ascend Japan (C Db F G Bb)
        Raga Jayakauns (C Eb F Gb Bb)
        Raga Kumurdaki (C D E F# B)
        Raga Shubravarni (C D F# A B)
        Raga Valaji (India) – Thriteenth e.g.C13 (C E G A Bb)
        Raga Abhogi (C D Eb F A)
        Raga Rukmangi, Pelog 2 (C Db Eb G Bb)
        Kung (C D E F# A)
        Dominant Pentatonic (C D E G Bb)
        Minor 6th Added (C Eb F G A)
        Chaio (all b-s) 10/4678910/3 in 12 edo) (C D F Ab Bb)
        Raga Harikauns (C Eb Gb Ab Bb)
        Raga Malashri (India) & Chinese (C E F# G B)
        Raga Bhinna Shadja, Hindolita (C E F A B)
        Hirajoshi Japan (C D Eb G Ab)
        Japanese, Sakura Pentatonic Soft Descend (C Db F G Ab)
        Iwato Japan (C Db F Gb Bb)
        Locrian PentaMirror (C Db Eb F Gb)
        Raga Dhavalashri (India) (C E F# G A)
        Raga Rasranjani (C D F A B)
        Raga Audva Tukhari (C D Eb F Ab)
        Raga Vaijayanti (C D F# G B)
        Ionian Pentatonic Raga Gambhiranata (C E F G B)
        Raga Khamaji Durga (C E F A Bb)
        Balinese, Pelog 1 (C Db Eb G Ab)
        Lydian Pentachord (C D E F# G)
        Raga Puruhutika, Purvaholika (C F G A B )
        Raga Shri Kalyan (C D F# G A)
        Raga Desh (C D F G B)
        Mixolydian Pentatonic (C E F G Bb)
        Raga Chandrakauns Kafi, Surya (C Eb F A Bb)
        Raga Chhaya Todi (C Db Eb Gb Ab)
        Raga Mohanangi (C Eb E G A)
        Raga Samudhra Priya (India)? (C Eb Gb G Bb)
        Blues PentaCluster 3b-s (C Db D Eb F)
        Raga Kshanika (C Db F Ab Cb)
        Balinese Pentatonic (C C# E F# G)
        Blues#V (all b-s) 9/25678/4 in 12edo) (C Eb F Gb Cb)
        Raga Nabhomani (C C# D F# G)
        Raga Saugandhini, Yashranjani (C Db Gb G Ab)
        Raga Bhupeshwari, Janasammodini (C D E G Ab)
        Altered Pentatonic (C Db F G A)
        Raga Devaranjani (C F G Ab Cb)
        Raga Zilaf, (C E F G Ab)
        Raga Kumarapriya (C C# D G# B)
        Raga Putrika (C C# D G# A)
        Raga Nata, Madhuranjani (C Eb F G B)
        Blues Pentacluster (C Db D Eb Gb)
        Oriental Pentacluster (C C# D F F#)
        Spanish Pentacluster (C Db Eb Fb F)
        as 7/367/1 in 12edo (C Db E G A)
        Raga Multani (India)? (C Eb F# G B)
        Romanian Bacovia (C E F Ab B)
        Raga Megharanjani (C Db E F Ab)
        Raga Devaranjani (C F G Ab B)
        Raga Bhinna Pancama (C D F G Ab B)
        Blues Pentacluster (C C# D D# F#)
        Chromatic PentaMirror (C C# D D# E)
        Spanish Pentacluster (C Db Eb E F)
        Blues #V (C Eb F F# B)
        Raga Malashri (India) & Chinese 3b-s (C Fb Gb G Cb)
        Javanese Pentachord (C C# D# F# G)
        Raga Multani (C D# F# G B)
        Romanian Bacovia (C E F G# B)
        Raga Reva, Revagupti (C Db E G Ab )
        Raga Priyadharshini (C D F G# B)
        Raga Mohanangi (C D# E G A)
        Raga Samudhra Priya (C Eb F# G Bb)
        Raga Devaranjani (C F G G# B)
        Raga Harikauns (India) ?? (C D# F# G# A#)
        Raga Megharanji (C Db E F B)
        Raga Gauri (C Db F G B)
        Blues PentaCluster 2b-s 1# (C C# D Eb F)
        Raga Chandrakauns Kiravani (C D# F G# B)
        Spanish Pentacluster (C C# D# E F)
        Center-Cluster PentaMirror (C D# E F G#)
        Raga Deshgaur (C Db G Ab B)
        Raga Chandrakauns Modern (C D# F A B)
        Blues PentaCluster 2b-s 1# (C C# D D# F)
        Chaio (C D F G# Bb)
        Balinese Pentachord (C Db E F# G)
        Raga Multani (India)? (C Eb Gb G B)
        Japanese Pentachord (C Db Eb F# G)
        Raga Malkauns (C D# F G# A#)
        Raga Malkauns (C D# F G# Bb)
        Mixolydian Pentatonic???? (C E F G A#)
        Raga Malkauns (C Eb F G# Bb)
        Oriental Pentacluster (C C# D F Gb)
        Blues PentaCluster 2b-s 1# (C C# D Eb Gb)
        Raga Malkauns (C Eb F G# A#)
        Raga Malkauns (C D# F Ab Bb)
        Spanish Pentacluster (C Db D# E F)
        Raga Malkauns (C Eb F Ab A#)

      

    Number of Tones: 6

     


        Lydian Hexatonic (C D E G A B):
        Scottish Hexatonic Arezzo Major Diatonic Hexachord (C D E F G A)
        Mixolydian Hexatonic (C D F G A Bb)
        Minor Hexatonic (C D Eb F G Bb)
        Phrygian Hexatonic (C Eb F G Ab Bb)
        Ritsu (C Db Eb F Ab Bb)
        Raga Mrunganandana (C D E F# A B)
        Raga Suddha Bangala (C D Eb F G A )
        Raga Navamanohari (C D F G Ab Bb)
        Raga Gandharavam (C Db Eb F G Bb)
        Raga Hamsa Vinodini (C D E F A B)
        Raga Manavi (C D Eb G A Bb)
        Raga Phenadyuti (C Db F G Ab Bb)
        Honchoshi Plagal Form (C Db Eb F Gb Bb)
        Raga Caturangini (C D E F# G B)
        Genus Secundum (C E F G A B)
        Raga Rageshri, Nattaikurinji (C D E F A Bb)
        Raga Trimurti (C D Eb G Ab Bb)
        Raga Simantini (C Db Eb F G Ab)
        Raga Nishadi (C D F# G A B)
        Raga Nalinakanti, Kedaram (C D E F G B )
        Raga Khamas, Baduhari (C E F G A Bb)
        Raga Bagesri, Sriranjani, Kapijingla (C D Eb F A Bb)
        Raga Kashyapi (C Db Eb G Ab Bb)
        Raga Yamuna Kalyani (C D E F# G A)
        Raga Nagagandhari (C D F G A B)
        Raga Siva Kambhoji, Vivardhini (C D E F G Bb)
        Raga Manohari (C Eb F G A Bb)
        Raga Bhavani (C Db Eb Gb Ab Bb)
        Raga Hamsanandi, Puriya (C C# E F# A B)
        Blues Dorian Hex (all b-s) as 9/6789/1 in 12edo) (C D Eb E G A)
        Blues Minor (C Eb F Gb G Bb)
        Raga Mandari, Gamakakriya (C C# E F# G B)
        Raga Vijayasri (C C# D F# G B)
        Raga Chandrajyoti (C C# D F# G A )
        Raga Tilang, Savitri (C E F G Bb B)
        Raga Dipak (C D E F F# G)
        Raga Megh (India) (C D F G Bb B)
        Raga Bhanumanjari (C Eb E F G Bb)
        Raga Gujari Todi (C Db Eb Gb Ab Cb)
        Raga Hejjajji (C C# E F# G# A)
        Lydian b3 Hexatonic (C Eb E G A B)
        Raga Saravati (b6) (C E F G Ab A)
        Hawaiian (C D Eb G A B)
        Raga Rasavali (C Db F G A Bb)
        Eskimo Hexatonic 2 (C D E F# G# B)
        Prometheus F# and Bb) in 12edo) (C D E F# A Bb)
        Raga Syamalam (C D Eb Gb G Ab)
        Raga Vutari (C E F# G A Bb)
        Raga Salagavarali (C Db Eb G A Bb)
        Eskimo Hexatonic 2 (C D E F# G# A)
        Takemitsu Tree Line Mode 2 4b-s (C D Eb Gb Ab Bb)
        Raga Sarasvati (C D F# G A Bb)
        Raga Sindhura Kafi (C D Eb F G B)
        Raga Kamalamanohari (C E F G Ab Bb)
        Raga Kalakanthi (C Db F G Ab A)
        Messiaen Mode 5 (C C# D F# G G#)
        Messiaen Mode 5 (C C# F F# G B)
        Messiaen Mode 5 Inverse? (C E F F# Bb B)
        Messiaen 5th mode From Groves start E (C Db D Gb G Ab)
        Mela Senavati (C Db Eb F G Ab A)
        Major Bebop Hexatonic (C D E G G# A)
        Lydian #2 Hexatonic (C D# E G A B)
        Raga Latika (C D E G Ab B)
        Raga Kalavati, Ragamalini (C Db E F G A)
        Raga Ranjani, Rangini (C D Eb F# A B)
        Raga Malayamarutam (C Db E G A Bb)
        Pyramid Hexatonic (C D Eb F Gb A)
        Raga Madhakauns (C Eb Gb G A Bb)
        Raga Paraju Simhavahini India (C E F G Ab B)
        Raga Rudra Pancama (C Db E F A Bb)
        Raga Vijayanagari (C D Eb F# G A)
        Takemitsu Tree Line Mode1 (C D D# F# G# B)
        Blues Dorian Hexatonic (C Db Eb E G A)
        Chromatic HexaMirror all b (C Db D Eb E F)
        Raga Neelangi (C D D# F# G# A)
        Messiaen Mode 2 (C Eb F F# A B)
        Raga Ranjani, Rangini (C D D# F# A B)
        Blues Minor Maj7 (C Eb F F# G B)
        Messiaen Truncated Mode 3 all # (C C# E F G# A)
        Augmented, Messiaen Truncated Mode 3 2457Inverse (C Eb E G Ab B)
        Raga Rasamanjari (C D# E F# G B)
        Raga Malahari (C Db E F G Ab)
        Messiaen Truncated Mode 2 (C C# D# F# G A)
        Messiaen Mode 2 (C D F F# G# B)
        Messiaen Mode 2 (C D F Gb Ab Cb)
        Raga Sarasanana (C D E F G# B)
        Raga Kalagada (C Db E G Ab Bb)
        Double-Phrygian Hexatonic (C Db Eb F Gb A)
        Raga Suddha Mukhari (C C# D F G# A)
        Blues Dorian Hexatonic (C C# D# E G A)
        Raga Ghantana (C D Eb F Ab B)
        Raga Takka (C Eb F G Ab B)
        Raga Amarasenapriya (C D D# F# G B)
        Raga Saravati (#5) (C E F G G# A)
        Raga Vijayanagari (C D D# F# G A)
        Major Blues (C D D# E G A)
        Blues Minor (C Eb F F# G Bb)
        Prometheus (C D E Gb A Bb)
        Raga Vutari (all b-s)(India)? (C E Gb G A Bb)
        Raga Vasanta, Chayavati (C Db E F A B)
        Raga Jivantika (C Db F G A B)
        Raga Gaula (C Db E F G B)
        Blues Dorian Hexatonic (C C# Eb E G A)
        Takemitsu Tree Line Mode 2 (C D D# F# G# A#)
        whole tone #-s in 12edo) (C D E F# G# A#)
        Whole-Tone, Anhemitonic Hexatonic (as whole tone in 12edo) (C D E F# G# Bb)
        whole tone b-s in 12edo) (C D E Gb Ab Bb )
        Raga Jyoti (C E F# G Ab Bb)
        Raga Kashyapi (C C# D# G G# A#)
        Raga Jivantini, Gaurikriya (India (C D# F# G A# B)
        Raga Bauli (C Db E G Ab B)
        Prometheus Neapolitan (C Db E Gb A Bb)
        Takemitsu Tree Line Mode1 (C D Eb F# Ab B)
        Raga Indupriya (C C# E F# G A#)
        Raga Sohini (C Db E F Ab B)
        Raga Vijayavasanta (C E F# G A# B)
        Raga Padi (C Db F G Ab B)
        Raga Madhakauns (C D# F# G A A#)
        Chromatic HexaMirror all # (C C# D D# E F)
        Raga Vutari (all #-s) (India)? (C E F# G A A#)
        Raga Jaganmohanam (C D F# G G# A#)
        Raga Simharava (C D D# F# G A#)
        Raga Dhavalangam (C Db E Gb G Ab)
        Raga Malarani (C D F# G A# B)
        Mela Yagapriya (C D# E F G G# A)
        Raga Sarasvati (C D F# G A A#)
        Messiaen Mode 5 (C Db F F# G B)
        Messiaen Mode 5 (dupe 8/456/1 in 12edo (C C# D F# G Ab)
        Messiaen Mode 5 Inverse? (C E F Gb Bb B)
        Raga Ranjani, Rangini (C D Eb Gb A B)
        Raga Jivantini, Gaurikriya (India (C Eb Gb G Bb B)
        Messiaen Truncated Mode 2 (C Db Eb F# G A)
        Takemitsu Tree Line Mode1 (C D Eb Gb Ab B)
        Messiaen Mode 5 Inverse (C E F F# A# B)
        Augmented, Messiaen Truncated Mode 3 2457Inverse (C D# E G Ab B)
        Messiaen Truncated Mode 3, Half-Aug b2 (C Db E F G# A)
        Raga Vasantabhairavi (C Db E F G# Bb)
        Raga Viyogavarali (C Db Eb F G# B)
        Blues Dorian Hexatonic (C Db D# E G A)
        Whole tone alternate (C D E F# Ab A#)
        Messiaen Mode 5 Inverse? (C E F Gb A# B)

      

    Number of Tones: 7



        Lydian, Kalyan F to E ascending naturals (C D E F# G A B)
        Ionian, Major, Bilaval C to B asc. nats. (C D E F G A B)
        Mixolydian, Khamaj G to F ascend. nats (C D E F G A Bb)
        Dorian, Kafi D to C asc. naturals (C D Eb F G A Bb)
        Aeolian Natural Minor, Asavari Asc Nats. A to G (C D Eb F G Ab Bb)
        Phrygian, Bhairavi E to D asc. nats. (C Db Eb F G Ab Bb)
        Locrian – B to A Ascending naturals (C Db Eb F Gb Ab Bb)
        Marva Thaat (India) (C C# E F# G A B)
        Minor Bebop (all b-s) 11/2891011/3 in 12edo) (C D Eb E G A Bb)
        Mela Jhankaradhvani (C D Eb F G Ab A)
        Mela Ratnangi (C Db D F G Ab Bb)
        Blues Phrygian 11/2891011/6 in 12edo) (C Db Eb F Gb G Bb)
        Raga Ragesri (C D E F A Bb B)
        Mela Pavani (C C# D F# G A B )
        Raga Madhuri 11/4891011/2 in 12edo) (C E F G A Bb B)
        Mela Nagananadini (C D E F G Bb B)
        Raga Nandkauns (India) (C Eb E F G A Bb)
        Mela Bhavapriya (C Db Eb Gb G Ab Bb)
        Raga Sorati (C D F G A Bb B)
        Enigmatic Minor (all b-s) 15/245789101315/6 in 12edo (C Db Eb Gb Ab Bb Cb)
        Mela Vanaspati (C Db D F G A Bb)
        Neapolitan Minor Mode (C C# D E F# G# A)
        Hungarian Gypsy (C D Eb Gb G Ab Bb)
        Lydian Augmented, Hindi #IV & #V (C D E F# G# A B)
        Lydian Dominant, Overtone, Hindi #IV & bVII (C D E F# G A Bb)
        Minor Melodic (C D Eb F G A B)
        Major Minor, Hindu bVI & bVII (C D E F G Ab Bb)
        Jazz Minor Inverse. Javanese, Dorian bII & HIndi (C Db Eb F G A Bb)
        Minor Locrian, Hindi 3 flats and bV (C D Eb F Gb Ab Bb)
        Hindi 5 flats & bIV (C Db Eb Fb Gb Ab Bb)
        Mela Jhalavarali (C C# D F# G G# B)
        Chromatic Hypodorian (C D Eb E G Ab A)
        Mela Dhavalambari (C C# E F# G G# A)
        Mela Latangi (C D E F# G G# B )
        Sabach (C D Eb E G Ab Bb)
        Mela Salaga (C C# D F# G G# A)
        Chromatic Phrygian Inverse (C C# D E G G# A)
        Chromatic Hypophrygian Inverse (C C# D F F# G A)
        Mela Kantamani (C D E F# G G# A)
        Mela Manavati (C C# D F G A B)
        Phrygian Dominant, Dorico Flamenco, Avaha Raba, Spanish Folk, Jewish Major (C Db E F G Ab Bb)
        Locrian bb7 (C Db Eb F Gb Ab Bbb)
        Ultra Locrian (C C# D# E F# G# A)
        Aeolian Sharp 1? (C D# E F# G# A B)
        Lydian Diminished (C D Eb F# G A B)
        Harmonic Major 1, Ethiopian, Nat Bhairava (C D E F G Ab B)
        Harmonic Minor Inverse or Bhairav (C Db E F G A Bb)
        Dorian b5 (C D Eb F Gb A Bb)
        Mela Syamalangi (C D Eb Gb G Ab A)
        Chromatic Mixolydian (C C# D E F# G Bb)
        Mela Dhatuvardhani (C D# E F# G G# B)
        Gypsy Hexatonic (C Db E F G Ab A)
        Mela Gavambohdi (C C# D# F# G G# A)
        Mela Sucaritra (C D# E F# G G# A)
        Lydian #2 Raga Kuksumakaram (C D# E F# G A B)
        Harmonic Major 2, Ionian #5 (C D E F G# A B)
        Romanian, Gnossiennes (C D Eb F# G A Bb)
        Harmonic Minor (C D Eb F G Ab B)
        Locrian Natural Maj 6, Pseudo Turkish (C Db Eb F Gb A Bb)
        Gipsy Hexatonic, Raga Kalakanti (C Db F Gb Ab A Bb)
        Mela Syamalangi (C D D# F# G G# A)
        Mela Ganamurti (C C# D F G G# B)
        Indian, Phrygian dim 4th (C Db Eb E G Ab Bb)
        Chromatic Hypodorian (C D D# E G G# A)
        Chromatic Dorian (C C# D F G G# A)
        Chromatic Mixolydian (C C# D F F# G Bb)
        Mela Tanarupi (C C# D F G Bb B)
        Blues Heptatonic (C Eb F F# G A Bb)
        Major Bebop Heptatonic Mela Mararanjani (C D E F G G# A)
        Blues Modified (C D Eb F F# G Bb)
        Enigmatic Ascending (C C# E F# G# A# B)
        Enigmatic Minor (C C# D# F# G# A# B)
        Super Locrian all sharps (C C# D# E F# G# A#)
        Bhairubahar Thaat (C Db E F G A B)
        Mixolydian b5 (C D E F Gb A Bb)
        Leading Whole-Tone (C D E F# G# A# B)
        Lydian Minor, Stravinski Raga Ratipriya (C D E F# G Ab Bb)
        Neapolitan Major (C Db Eb F G A B)
        Major Locrian (C D E F Gb Ab Bb)
        Mela Divamani (C C# D# F# G A# B)
        Mela Jhotisvarupini (C D# E F# G G# A#)
        Mela Rasikapriya (C D# E F# G A# B)
        Hungarian Minor (C D Eb F# G Ab B)
        Hungarian Folk or Byzantine Major Gypsy (C Db E F G Ab B)
        Oriental 1 (C Db E F Gb A Bb)
        Mela Visvambhari (C C# E F# G A# B)
        Mela Ganamurti (C Db D F G Ab B)
        Todi bVII Mela Sadvidhamargini (C C# D# F# G A A#)
        Nohkan (C D F Gb Ab A Cb)
        Chromatic HeptaMirror #-s (C C# D D# E F F#)
        Mela Jalarnava (C C# D F# G G# A#)
        Hungarian Gypsy (C D D# F# G G# A#)
        Mela Nitimati (C D D# F# G A# B)
        Mela Gangeyabhusani (C D# E F G G# B)
        Mela Raghupriya (C C# D F# G A# B)
        Mela Namanararayani (C Db E Gb G Ab Bb)
        Mela Citrambari (C D E F# G A# B)
        Houzam (Greece) Raga Saildesakshi, Trishuli (C D# E F G A B)
        Mixolydian Augmented (C D E F G# A Bb)
        Hungarian Gypsy, Damian Emmanuel (C D Eb F# G Ab Bb)
        Neapolitan Minor (C Db Eb F G Ab B)
        Mela Navanitam (C C# D F# G A A#)
        Spanish Heptatonic (C Eb E F F# Ab Bb)
        Hindi 5 flats (C Db Eb E Gb Ab Bb)
        Gipsy Hexatonic, Raga Kalakanti (C C# F F# Ab A Bb)
        Chromatic Mixolydian Inverse (C D F F# G A# B)
        Marva or Marvi (C Db E F# G A B)
        Romanian Major, Purvi bVII (C Db E F# G A Bb)
        Aeolian Flat 1? (C Eb E Gb Ab A B)
        Hungarian Major Raga Nasamani (C D# E F# G A Bb)
        Todi bVII Mela Sadvidhamargini (C Db Eb F# G A Bb)
        Locrian 2 (C D Eb F Gb Ab B)
        Minor Bebop Heptatonic (C D D# E G A Bb)
        Blues Phrygian (C Db Eb F F# G Bb)
        Enigmatic Descending (C C# E F G# A# B)
        Chromatic Phrygian (C D# E F G# A# B)
        Chromatic Hypolydian, Puravi bVI (C Db E F# G Ab B)
        Chromatic Lydian (C Db E F Gb A B)
        Raga Bhatiyar (C Db E F Gb G A B)
        Gipsy Hexatonic, Raga Kalakanti (C C# F F# G# A A#)
        Aeolian Flat 1 (C Eb E Gb Ab A Cb)
        Mela Rupavati (C C# D# F G A# B)
        Mela Ragavardhani (C D# E F G G# A#)
        Mela Hatakambari (C C# E F G A# B)
        Chromatic Dorian Inverse Raga None (C D# E F G A# B)
        Chromatic Hypodorian Inverse (C D# E F G# A Bb)
        Chromatic Lydian Inverse, Todi bVI (C Db Eb F# G Ab B)
        Chromatic Hypolydian Inverse, Persian (C Db E F Gb Ab B)
        Superlocrian, Diminished Whole-Tone (C C# Eb E F# Ab Bb)
        Rock ‘n Roll (C D# E F G A A#)
        Raga Madhuri (C E F G A A# B)
        Chromatic Mixolydian (C C# D F F# G A#)
        Mela Varunapriya (C D D# F G A# B)
        Enigmatic Ascending (C Db E Gb Ab Bb Cb)
        Rock ‘n Roll (C D# E F G A Bb)
        Raga Sorati (C D F G A A# B)
        Sabach (C D D# E G Ab Bb)
        Blues with Leading Tone (C Eb F F# G A# B)
        Ultra Locrian (C Db D# E F# G# A)
        Nohkan (C D F Gb G# A B)
        Gipsy Hexatonic, Raga Kalakanti (C Db F Gb G# A Bb)
        Indian, Phrygian dim 4th (C Db D# E G Ab Bb)
        Enigmatic Ascending (C Db E F# G# A# B)
        Enigmatic Descending (C Db E F G# A# B)
        Enigmatic Minor (C Db Eb F# G# A# B)
        Spanish Heptatonic (C D# E F Gb Ab Bb)
        Superlocrian, Diminished Whole-Tone (C Db D# E Gb Ab Bb)
        Example Of Pelog (C C# Fb F# G Ab B)

     

    Number of Tones: 8

     Major Lydian Genus Diatonicum Veterum Correctum (C D E F F# G A B)
        Dominant Bebop (C D E F G A Bb B)
        Minor Bebop (As Minor Bebop 11/891011/3 in 12edo) (C D Eb E F G A Bb)
        Dorian Aoelian (Al b-s) 11/891011/4 in 12edo) (C D Eb F G Ab A Bb)
        Phrygian Aeolian 4b (C Db D Eb F G Ab Bb)
        Phrygian Locrian (All b-s) – 11/891011/6 in 12edo) (C Db Eb F Gb G Ab Bb)
        Prokofiev (All b-s)16/589101113141516/7 in 12 edo) (C Db Eb F Gb Ab Bb Cb)
        Adonai Malakh (Israel) 3b-s (C Db D Eb F G A Bb)
        Spanish 8 tones (all b-s) in 12edo) + Fb (C Db Eb Fb F Gb Ab Bb)
        Raga Mian Ki Malhar, Bahar (C D Eb F G A Bb B)
        Blues Octatonic (C D Eb F F# G A Bb)
        Magen Abot (Israel) all sharp (C C# D# E F# G# A B)
        Phrygian Major, Flamenco, Spanish Phrygian (C Db Eb Fb F G Ab Bb)
        Raga Cintamani (C D Eb Gb G Ab A Bb)
        Harmonic Neapolitan Minor 4b-s (C Db D Eb F G Ab Cb)
        JG Octatonic all 3b (C Db Eb E F G A Bb)
        Maqam Shadd’araban (C Db Eb Fb F Gb Bbb Bb)
        Shostakovich name in Cyrillic monogram (C C# D# E F# G A B)
        Messiaen Mode 4 (C C# D D# F# G G# A)
        Messiaen Mode 4? (C C# D F F# G G# B)
        Messiaen Mode 4 Inverse (C Eb E F F# A Bb B)
        Messiaen Mode 4 (C Db D Eb Gb G Ab A)
        Magen Abot (Israel) all flat (C Db Eb Fb Gb Ab Bbb Cb)
        Major Bebop (C D E F G G# A B)
        Utility minor 14/38911121314/5 in 12edo) (C D Eb F G Ab Bb B)
        Neveseri (C C# D# F# G G# A# B)
        Raga Saurashtra (C Db E F G Ab A B)
        Blues Diminished (C C# D# E F# G A A#)
        Messiaen 2nd mode From Groves start B (C D Eb F F# Ab A B)
        Algerian (C D Eb F F# G Ab B)
        Messiaen Mode 6 (C C# D E F# G G# A#)
        Messiaen 7 according to Brown (C D E F F# G# Bb B)
        Harmonic Neapolitan Minor 3#-s (C C# D D# F G G# B)
        Chromatic OctaMirror (C C# D D# E F F# G)
        Adonai Malakh (Israel) 2b 1# (C C# D Eb F G A Bb)
        Spanish 8 tones (all b-s) in 12edo) (C Db Eb E F Gb Ab Bb)
        Messiaen Mode 4 (C C# D Eb F# G G# A)
        Messiaen 5 according to Brown (C C# D F F# G Ab B)
        Messiaen Mode 6 (C C# D E F# G Ab Bb)
        Messiaen 3 according to Brown (C Db Eb F F# G A B)
        Messiaen Mode 2 (C Db Eb E F# G A Bb)
        Zirafkend (C D Eb F G G# A B)
        Magen Abot (C C# Eb E F# Ab A B)
        Hungarian Minor b2 (C C# D Eb F# G Ab B)
        Messiaen Mode 4 (C Db D F F# G Ab B)
        Messiaen 7 according to Brown (C D E F F# G# A# B)
        Messiaen 6th mode From Groves start B (C Db Eb F Gb G A B)
        Harmonic Neapolitan Minor 2b1# (C C# D Eb F G Ab B)
        Raga Ramkali (C Db E F Gb G Ab B)
        Shostakovich respelled all b (C Db Eb E Gb G A Cb)
        Enigmatic (C Db E F Gb Ab Bb B)
        Mela Tanarupi (C C# D F F# G A# B)
        Half-Dimiished Bebop (C Db Eb F Gb G Ab B)
        Messiaen Mode 6 (C D E F G A A# B)
        Minor Bebop (C D D# E F G A Bb)
        Dorian Aeolian (C D Eb F G G# A Bb)
        Phrygian Aeolian 3b1# (C C# D Eb F G Ab Bb)
        Phrygian Locrian (C Db Eb F F# G Ab Bb)
        Messiaen 2 according to Brown (C D Eb F F# G# A# B)
        Raga Mian Ki Malhar, Bahar (C D Eb F G A A# B)
        Magen Abot (C Db D# E F# G# A B)
        Shostakovich respelled all sharp (C Db D# E F# G A B)
        Diminished (C D Eb F Gb G# A B)
        Half-Diminished, Symmetric, Blues Dim. (C Db D# E F# G A Bb)
        JG Octatonic (C Db D# E F G A Bb)
        Utility Minor (C D Eb F G Ab A# B)
        Phrygian Major, Flamenco, Spanish Phrygian (C Db D# E F G Ab Bb)
        Maqam Hijaz (C Db E F G Ab A# B)
        Maqam Shadd’araban (C Db D# E F Gb A Bb)
        Neveseri (C Db Eb F# G Ab A# B)
        Spanish 8 Tones (C Db D# E F Gb Ab Bb)
        Messiaen Mode 6 Inverse (C D E F Gb G# A# B)
        Messiaen Mode 4 Inverse (C D# E F Gb A A# B)

    *


    votre commentaire
  •  

    Concernant ce qui précède, j'ai bien entendu pensé donner un exemple sonore

    de chacune de ces gammes. Mais j'ai vite compris que la page serait bien trop lourde à charger

    et que cela finirait par faire planter le blog. Cependant je ne renonce pas. Je vais simplement devoir

    disperser ces exemples ici ou là. Je réfléchirai sans doute à une autre organisation.

    Pour le moment, voici la gamme 

    Raga Caturangini

    Raga Caturangini

     

    Il est clair qu'un exemple ne peut qu'être une interprétation puisqu'il y a une infinité de moyens d'exposer une gamme. Mais en bricolant mes machines je recherche des patterns qui soient le plus musicaux possible.

    Je suis synesthète, la puissance d'évocation de ces simples sons peut me transporter de joie et de plaisir sans qu'il me soit besoin d'en faire plus. J'espère que vous aussi vous entendrez le charme délicat ou le caractère fantastique de ces gammes.

    Raga Caturangini (2)

    3

    4

     

     

     

     

      


    votre commentaire
  •  

    Raga Bagesri. Organisé comme elle l'est ici, on pourrait penser à un phrasé de blues.

       Raga Bagesri

    Raga bagestri 2

    3

     

     

     

    Raga Bagesri

    On pourrait parler d'un mode dorien défectif, un mode dorien sans quinte.

    Le son est assez occidental.

    *

     


    votre commentaire
  •  

    Je ne suis pas certain que les instruments eskimos sonnaient comme ça, souvent il y a un aspect

    microtonal dans les musiques non-occidentales. Cependant une gamme telle que celle-ci

    (qui pourrait sous nos cieux recevoir un autre nom) a vraiment sa place ici.

     

    Eskimo Hexatonic

     

    Gamme Eskimo Hexatonic

    Gamme Eskimo Hexatonic

    *


    votre commentaire
  •  

    Intéressant enchaînement très conssonant de deux triades mineures:

     

    Raga Syamalam

    Raga Syamalam

     

    Raga Syamalam Version 2

    Et 3

     


    2 commentaires


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